{"id":7232,"date":"2018-09-12T14:30:02","date_gmt":"2018-09-12T06:30:02","guid":{"rendered":"http:\/\/www.55artspace.com\/?p=7232"},"modified":"2018-09-12T14:31:56","modified_gmt":"2018-09-12T06:31:56","slug":"%e9%99%88%e4%b8%b9%e9%9d%92-%e6%97%a0%e9%a2%98-2","status":"publish","type":"post","link":"https:\/\/www.55artspace.com\/?p=7232","title":{"rendered":"\u9648\u4e39\u9752 \u65e0\u9898"},"content":{"rendered":"
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CDQ014\uff08\u539f\u4f5c-\u6709\u6846\uff09\u9648\u4e39\u9752 \u65e0\u9898 24×30.5cm \u5f69\u8272\u7c89\u753b 2005 <\/strong><\/p>\n

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Both lines and colors can be seen in pastels and this is an advantage. A pastel can be eithera sketch or a colorful oil painting. However, Chen Danqing\u2019s pastels liebetween the two, in which lines and colors are in harmony. He ever studiedpersonally from French masters, so his works combine Chardin\u2019s simplicity, Watteau\u2019sextravagance, Manet\u2019s brightness, and Degas\u2019s integration of lines and colors. AncientChinese artists laid much emphasis on keeping the writing brush perpendicularwith the paper and the tip of the brush in the middle of the lines, and this iswhat we call \u201czhong feng yong bi\u201d. From Renaissance to 19th century, pencils werealso usually used this way to draw sketches in Europe. Chen was originally goodat sketching. It was after he went to New York in 1980s that he began to drawpastels. For him, the feel is equally good. But his pastels are more exquisiteand more reversionary than his sketches. \u201cZhong feng yong bi\u201d is fully applied.Lines start and extend naturally. The profile of bodies, the weight, the space,the volume, and bones and flesh are all started from lines and finished withlines. Abundant shapes, vivid gestures, chubby bodies and even the temperatureof the skin are fully displayed on the paper.[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_text_separator title=”\u827a\u672f\u5bb6\u7b80\u4ecb” title_align=”separator_align_left” font_weight=””][vc_column_text]\u9648\u4e39\u9752
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